plateDIA120xH80mm, China

A plate for offering, like the bronze bowl featured earlier this week.

The random dotted pattern on the plate was not intention but marks left by plate stacked one over the other, over the glazed and all.  The potter would have to knocked on the plates to release them as they would have been stuck together by the melted glaze.  A crude way of doing pottery but yet giving a special feeling to the object.

golden wood carvingL80xW40xH110mm, China

A mythical character in the epic “Feng Shen Yan Yi”  which described all the saintly figures, his name is Zhun Ti Dao Ren.  Zhun Ti was said to have come from the West, the land of Buddhism, bringing with him the wisdom and teaching of the Buddha.

The carriage of Zhun Ti Dao Ren is the famous Wisdom Peacock, Mahamayuri, the son of the Phoenix.

bronze bowlDIA270xH150mm, China

Perfect for beating egg white, melting of chocolate or just as a fruit bowl.

In the old days this bronze bowl would have been uses to provide offering in a Chinese temple.
See our other offering containers; offering bowl, eight trigram bowl, bronze plate, lacquer dish.

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cheeky maskW150xD70xH220mm, China

This is a mask for the female role (Dan) in the Chinese theatre.
The diva.
Strangely, it is not portrayed as a beautiful female but a rather comical.  This is because the mask is that of a Cai Dan (the clown).  Like all good theatre, the clown is essential.

Within the dan catagory there were the Gui Men Dan (known for the singing), the Hua Dan (specialized in movement and speech), the Wu Dan (the Chinese version of Laura Croft), Lao Dan (the older women) and Cai Dan (the clown).

In this clip you will the beautiful Xi Shi (Hua Dan), followed by the comical Dong Shi (Cai Dan) and mother (Lao Dan)

 

wood block printW410xL690mm, China

This is a Yang Liu Qing print on the subject of “Searching for Plum Blossoms in the Snow”.  The phrase is generally used to described scholars appreciation and effort with poety.  The old man on the donkey is Meng Hao Ran, a Tang dynasty poety; he is known to have gotten his inspiration from ploughing through the snow on the  Ba Qiao Bridge in Xian.

blue rock  W130xD20xH80mm, China

A curious blue object.

This is no modern art but a carving of the Shou Shan stone.  The blue, without the artistic symbolism of Western art of the sacred, the heaven, the ideal, the escape etc etc was a mean of disguise.  During the cultural revolution, all objects of art and decoration were target to be destroy and its owner punished.  The owner must have treasured this object, instead of destroying it like many art object at the time, a layer of blue paint was applied to escape the prying eyes of the red guards.

Odd at it is, we have kept the blue paint on, as it is part of the history of this object.

Tea Pot

DIA120xH150mm, China

This is our family teapot, though it might look very modern or even muji like, the form has been around since the late Qing dynasty.

My first association of a teapot was from a drawing, then the nursery rhyme. When I was old enough to go to restaurants that I met the first teapot in a tea house (the place where they serve Chinese tea and dim sum).  It was a comical looking object, perfectly fitting to the first two descriptions I had learn, rounded short and stout.  It was not until later when I was trusted to pour tea for myself that I realized it is impossible to maneuver this typical Chinese teapot.  The design is appalling, the pot is short and long, the momentum pivoted from the handle made it heavy to hold, then the handle to small making your fingers scorch by the side of the pot.  It is made worse by the dripping spout and the lid that keep falling off.  If the Chinese love to drink tea then why would this become the standard teapot for tea houses and restaurants?  Looking at the history of Chinese teapot where the form was influenced mainly by the development of tea brewing method, design of teapots were sophisticated and refine, it would seems that there is no place for an object like this to survive.  My only guess is that it has been modeled after one of the miniature zi sha teapot, the special teapot where the fragrance of the tea is celebrated.  Tea leave packed, brew for seconds with small amount of hot water which is completely drained out for consumption.  The whole design evolve around the power of the smallness, scaling it up loses all its meaning whatsoever.

something old something new

Still looking for that special present?
Come and take a look at our collectible jewellery, they are unique and one of kind.

Click to see our collection
Jewellery

Besides jewellery we have other items that would make great presents, come and take a look!

12 Wo On Lane, Central, Hong Kong.
Monday – Saturday 10:00-18:30

The new issue of Ha Wan Po has arrived!

Ha Wan Pao is a monthly paper about people who make beautiful things. whether they’re making comic books, tofu or shoes; what they have in common is the quiet pursuit of excellence.

And guess what Mountain Folkcraft is featured in this issue.
Come and get your copy now!

H370xW260mm, China

Still haven’t made plans for your X’mas holidays?

The Jin Ze Arts Centre is offering an intensive weaving workshop over the festive season.
A joyful course in the tranquil setting will be a nice change from X’mas turkey and hours in front of the telly.

To find out more about the event:
http://www.jinze.org/events-sub.php?serial=1