Archives for category: Mountain Folkcraft X Soil

indonesian puppet

W150xD150xH550mm, Indonesia

Wayang golek is the traditional West Javanese performance of the wooden rod puppet.

Here is a wonderful documentary about the Wayang golek.

The character of this puppet is Abhimanyu, the tragic hero in the Hindu epic Mahabharata.  Son of Arjuna and Subhadra, like his father he was both courageous and a good fighter.  Abhimanyu’s education of becoming a warrior started when he was still in womb of  Subhadra, his father would go through in length different battle formation.  Unfortunately at Subhadra has fallen asleep when it came to the exiting of Chakravyuha and Abhimanyu failed to gain the knowledge and there on the 13th day of the battle he was killed.

Come to see the Asian Folkcraft Collection!

Green lacquerware

DIA200xH150mm, Myanmar

ASIAN FOLKCRAFT COLLECTION
SOIL X MOUNTAIN FOLKCRAFT

It is almost certain that Burma acquired the technique of lacquer production from China where it has a three-thousand year history. However, the use of lacquerware was not confined to royalty and the monkhood in Burma. Lacquer objects were used daily by commoners. Food, refreshments, clothing, cosmetics and flowers are all put in lacquer receptacles.

The importance of lacquer to the Burmese is probably equivalent to the modern uses of porcelain, glass and plastic combined. Indeed, lacquer has many of the characteristics of modern plastic. It is light, waterproof, easily moulded and dries to a hard state.  It can be applied to virtually any surface: plain or carved wood, bamboo, paper, fabric, even metal and stone.

This fruit bowl is made by coiled bamboo, covered by over 20 layers of lacquer and decorated with the Burmese astrological symbols. Process of producing green lacquer ware is rather time consuming: One part indigo was added to ten parts of orpiment to produce a traditional green color. With age, many such green lacquer wares have come to assume appeasing opaque turquoise hue.

horse hair bowlDIA130xH90mm, Myanmar

Veronica Gritsenko is a British-Ukrainian artist and scholar. In 2000 she set up the Black Elephant studio in Bagan, Burma and eventually developed her own unique technique and designs based on ancient methods and materials.  Black Elephant Lacquer is collected by private connoisseurs and was acquired by the British Museum and The Royal Botanic Gardens Museum.

These bowls are made with horsehair woven in between very thin bamboo splints, with further application of lacquer mixed with rice husk ashes.  Burma is famous for a special type of incised lacquerware called “yun” – It’s engraved with a sharp iron stylus and the incisions are filled with colouring matter to create a design.

Item from SOIL for the ASIAN FOLKCRAFT COLLECTION

paper mache cow

W90xL200xH230mm, Myanmar

Burmese paper mache is usually made by applying layers of thin, tough, paper and rice paste to a clay model of an elephant.  After drying for a day or two, the object is then given a coat of white paint. The body is painted with brightly coloured enamel paints.

These paper maches are not only toys.  A donor may commission objects in different shapes for presentation to a pagoda or monastery on special occasions.    They are usually made by craftsmen or their families in the vicinity of the pagodas.

This animal paper mache collection from SOIL is avaible at Mountain Folkcraft during the ASIAN FOLKCRAFT event.

burmese betel boxDIA60xH50mm, Myanmar

For the first item of the Asian Folkcraft Collection, we have a miniature of Burmese’s traditional lacquer betel box from SOIL.

 Betel, tobacco and pickled tea is an expression in Burmese language that speaks of hospitality and welcomes a visitor to one’s home.

 The circular betel box at first glance, looks solid, but is in reality nicely fitted with a lid over a small container for holding betel nut. The top of the bowl is fitted with two shallow trays, one on top of the other. The upper tray has four little cups to hold ingredients for making betel nuts: cloves, cutch, and seeds, shredded wild Licorice or sweet creeper.

 In the second tray is a layer of dried tobacco leaves. Only when the tray is taken out of the main bowl are green fresh betel leaves revealed.

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ASIAN FOLKCRAFT
SOIL
X MOUNTAIN FOLKCRAFT

Display all set up!  Crafts from all over asia; China,  India, Indonesia, Japan, Thailand, Malaysia and Myanmar.

We are open 10:00-18:30, close Sunday and Public Holdiay

 

asian-folkcraft-small

ASIAN FOLKCRAFT

SOIL x MOUNTAIN FOLKCRAFT

Come to see a collection of folkcraft from all over asia; China,  India, Indonesia, Japan, Thailand, Malaysia and Myanmar.

bowlsDIA130xH50mm, Hong Kong

White slip-glaze wash finish on black clay from Shigaraki Japan.
Inner side is glazed with a special crackle glaze named 浮花.

COBOxSOILxMOUNTAIN FOLKCRAFT

Come to see the items before the event ends at the end of March!

Plate

W250xL350xH80mm, Hong Kong

A large plate is perfect for dinner parties, salads, pasta, etc instantly looks mouth watering even when they are simply tossed into the container.

A press mould oval shape dish with black underglaze drawing and a top clear glaze.
Iron oxide wash on the outside of the plate.
The groggy clay body  which enhance interesting texture after scrapping when the clay body is dry.

container

DIA90xH170mm, Hong Kong

For the Something Old Something New joint event, a bottle with lid  in real gold and blue barium glaze finish (not food safe).  Wheel thrown in one piece, lid is then cut from the body.  Gold is applied after the stoneware firing,  refire to a lower temperature of 750 C.

This dream like bottle made me think of Calvino’s Invisible City.