Archives for category: leather / feather

W130xH220mm, Cambodia

This is a shadow puppet used for the show Reamker which was based on the Sanskrit’s Ramayana epic.  The Reamker is a popular legend for the Khmer people, loved by the common people and the kings a like.  The story is carved into the walls in Angkor Wat and in Banteay Srei  and over the Khmer New Year (13-16 April) and the King’s birthday (13-15 May) when the shadow puppet show will be performed.

 The story of Reamker is about the balance of good and evil in the world; Prince Rama was sent into exile by one of the queen mother who has her eye on the throne for her son, Rama was joined by his wife Sita and his brother Lakshmana.  In the forest the female rakshasa Surphanakha tried to seduce the 2 brothers, Lakshmana being annoyed by Surphanakha cut off her ear and nose, this angered the demon who went to ask her brother Ravana to help her revenge.  Ravana (the Lord of island Lanka) was attracted by the beauty of Sita kidnapped her.  Rama and Lakshmana striked a deal with the monkey king Sugriva, they helped Sugriva to regain his kingdom from his brother Vali while Sugriva send the monkey warriors lead by Hanuman to help with their search of Sita.  Hanuman start building a stone bridge to cross to Lanka but found out that mermaids were secretly taking away the stones, he decide to capture the mermaid princess Neang Machha but instead they fell madly in love with each other. The bridge was completed, Rama and Ravana started a battle, wiht Hanuman’s help Rama won, rescued Sita and got the throne.

@ the western gopura of Banteay Srei

@ outer gallery of Angkor Wat

W600xH600, China

This is a shadow puppet from the province of Luo Shan.  The written history of shadow puppet in China dated back over 1000 years and spread all over the country, slowly each region has their own characteristic, in terms of the puppet, its control and of course the singing (as each area has a different dialect).  450 year ago in Ming dynasty shadow puppet theatre arrived Luo Shan from Luan Zhou.  Unlike the other region that uses donkey skin, Luo Shan’s puppets are with buffalo skin.  Each puppet are controlled by 3 bamboo rods and cast over a white cloth screen of 1.8x1m. The puppet theatre group would consist of 8 people (3 puppeteers), the puppet “cast” are huge (300 odd heads to match with 80 odd bodies), apart from characters there are also sets of  mountain, forest, vehicles, animals, furniture, etc!

W250xH300mm, China

Before the arrival of cinema, television and the internet, shadow puppet was the “it” entertainment in China.  The puppet is placed next to the screen (a 1 sq m treated muslin)  with lighting from behind.  Like the theater, the puppet casts include the hero, heroine, masculine, villain and of course the clown.  Each puppet is controlled with 5 bamboo stick; the puppeteer is responsible for the control 4 puppets, singing, narration, dialogue and drums.  The shadow puppet is usually made of  donkey skin which give a more transparent effect.

W200xH100, China

Jan Zi is a game that has been popular in China and some other asian countries since the Han dynasty, since 1933 it has also been included in the National Games of the PRC competition.  The aim of the game is for the player to keep the weighted Jan Zi in the air using only their feet, a bit like volleyball or badminton.  The game can be divided broadly into three categories; causal, style and competition.  Causal; surround in a circle, passing the Jan Zi from player to player.  Style; free style and fixed style competition.  Competition; players to compete across a net, the game is similar to badminton where a larger jan zi is used.  The upper part of the Jan Zi is made up of goose feather while the weight at the base of cloth finished up with a piece of leather.